Taking Sides: The Who vs The Rolling Stones

Message Bookmarked
Bookmark Removed
I think everyone here knows what I think.

But I'd be interested in the responses here, *especially* those which take the opposite line to my own view.

Robin Carmody, Friday, 4 January 2002 01:00 (twenty-three years ago) link

stones stones stones stones stones stones stones stones stones stones stones stones stones stones stones stones stones stones stones stones stones stones stones stones stones stones stones

the who have maybe five good songs: a genuinely great drummer carrying three part-timer makeweights (ok eight good songs)

mark s, Friday, 4 January 2002 01:00 (twenty-three years ago) link

Eight good songs? Are you talking about the Who's Next album?

Who.

Mark, Friday, 4 January 2002 01:00 (twenty-three years ago) link

Who's Next. Heh. One great sequencer-riff, one OK fiddle solo, and a major drummer somewhat past his best.

mark s, Friday, 4 January 2002 01:00 (twenty-three years ago) link

The Rolling Stones. Keith Richards has written exactly zero rock operas. Townshend is responsible for at least three.

John Darnielle, Friday, 4 January 2002 01:00 (twenty-three years ago) link

- recorded output through 66 - Stones (it's close)
- recorded output 67 to 71 - Stones (by miles)
- live act/force of nature through 71 or so - Who (not close)
- least embarassing since - probably the Who due to more time spent inactive
- best when they were at their best, however briefly - Who (BBC Sessions)
- overall winner - Stones

dan, Friday, 4 January 2002 01:00 (twenty-three years ago) link

Rolling Stones. I love both, though.

I think The Stones had more "great" albums. There's at least five Stones albums I'd consider flawless. With The Who there's only three with zero boredom factor (Sell Out, Leeds, Isle of Wight [two of which are live albums recorded in the same year and have a lot of the same songs]). Even Who's Next, which has such staggering peaks and sounds brilliant on my trashed-and-scratched-as-fuck Decca LP (keep the remastered CD away from me, I don't wanna hear it), annoys me outrageously with "Gettin' in Tune" and "Goin' Mobile".

The Who have a lot of great songs scattered about, but I don't think most of their albums have aged well. Particularly the two rock operas.

Plus, even when The Stones are bad, they're still kinda fun & entertaining in a way. When The Who is bad (like their last two albums), they're pretentious and they're miserable to listen to.

The Who have a leg-up in two areas. If I could go back and see either band at their live peak, I'd pick The Who. And Pete Townshend's Empty Glasses solo album is better than any Mick Jagger or Keith Richards solo album.

Oliver Kneale, Friday, 4 January 2002 01:00 (twenty-three years ago) link

Y'all people are steeupid as hell. Everybody knows the stones SUCK. Just ask jerry from my trailer...he was in the stones for 6 years before they kicked him out. I'm not lyin. Look at my web site. THE WHO ROCKS!

http://freewebz.com/buttrocker87

The ButtRocker, Friday, 4 January 2002 01:00 (twenty-three years ago) link

The Who, all the way. Great Who is better than great Stones. (Go watch _The Rolling Stones Rock 'n' Roll Circus_ and watch the Who blow them so far off the stage they still don't know what hit them.) Anything at all is better than bad Stones. (E.g. the last 80 or so songs they've released, for starters.)

Also, the Who win because they have a bass player--a stone deaf bass player, but a bass player. The Stones have not had a bass player for ten years, yet they continue to claim that they are a rock band. The Who don't have a drummer, but who needs drummers?

Douglas, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

keith moon not a drummer? egad.

i dunno. i think the stones do it for me personally. 3 amazing albums that blow anything the who put out. Beggers Banquet is really close to what i consider a perfect album.

Brock K., Saturday, 5 January 2002 01:00 (twenty-three years ago) link

- recorded output through 66 - Stones (it's close) !!!!!!
Pop Who > Early Stones. Even with the rock operas, it's still gotta be the Who.

scott p., Saturday, 5 January 2002 01:00 (twenty-three years ago) link

There are days when I think The Who are the greatest band ever. Unfortunately, they had only one real songwriter, and he happened to be a mega-pretentious, pseudo-spiritual twerp whose output was extremely uneven. Just look at Tommy: equal parts brilliant pop songs (Pinball Wizard, We're Not Gonna Take It), extended meanderings and variations on the same theme (Overture, Underture), and trivial filler (Miracle Cure, There's A Doctor, Tommy Can You Hear Me) meant to add more to a plot that doesn't make sense anyway. If it weren't for the two Entwistle songs the whole thing would be a lot less bearable. As for Who's Next, it's got four great songs, one amusing Entwistle song, and a lot of boring swill. The fact that these are considered great albums says a lot for the band's skill as performers.

If the Rolling Stones had been all about Mick Jagger, they would have collapsed some time after Exile. But Mick has always had Keith (and before that, Brian) to keep him in check. I think all of their albums are uneven - even the classic ones - but as a whole, their output has held up better than the Who's.

Justyn Dillingham, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

if it weren't for _their satanic majesties request_, it'd be no contest: the who. but that album is so damn good... i don't know. uh... nas.

your null fame, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

V. tough choice, but has to be The Stones - there's nothing in the Who discog. to match the run of 'Beggars Banquet'/'Let It Bleed'/'Sticky Fingers'/'Exile On Main Street'/'Goats Head Soup' (mind you almost no other group can match that sequence either.)

BTW, don't agree w/ Douglas abt 'Rock'n'Roll Circus' - sure The Who are at their unbeatable best, but The Stones sound fine too, and the version of 'No Expectations' (w/some v. nice slide from Brian) is one of the best things they've ever done.

YOU ARE FORGIVEN!

Andrew L, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

Who = last modernists, Stones = first classicists
Stones = boffins, Who = genius (pos + neg senses of terms) (I luv the Stones but I don't belong to the Church of Brian Jones)

This causes me great pain (this is somebody who even spins 'Black and Blue' and 'Emotional Rescue' occasionally), but I've gotta give it to the Who, reason being that EVERY type of rock sub-genre that isn't boring would've been impossible without them. Anybody who ever thought that 'rock' involved the virtues of brevity, innovation, psychodrama, hooks, spirit, intelligence (and conversely, abandon), disregard of elders, style, confessional honesty rendered bearable by awareness of larger forces (cultural, musical etc), sexuality based on the entire continuum (lust, fear, ambivalence) rather than one-dimensional roles, and just plain wanting to sound like 'Live at Leeds' owes a debt to the big beak. And as if being the greatest band ever wasn't enough, these songs almost made Roger Daltrey's voice bearable, a prize-winning achievement if ever there were.

dave q, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

Plus, I think it was the Who who really broke the mould as to what rock 'could' sound like - i.e., anything. The Beatles started off wanting to be Buddy Holly, the Stones wanted to be Muddy Waters, but the Who created a sound that people understood that ONLY could've come from Acton or wherever - thus freeing people anywhere to come up with their own sound, breaking the Tin Pan Alley mindset more effectively than the Beatles did.

dave q, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

yeah but surely the fact is they unleashed all this by secretly tipping the wink to the world that not only cd all this [see q up thah] be done but it cd be done WELL (well, better). No one tried out-stonesing the stones with the rubric, "They're so rubbish at this: any clown cd do it better."

I just realised I changed my vote. Who who who who who who [etc]: since they only have five good songs they left room for the rest of us.

mark s, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

Further evidence:

1) Walked into a record store last week and heard something fantastic. Asked the clerk "Who's this really good band playing right now that's totally trying to be the Who?" It was one of the bonus tracks from _Sell Out_, it turns out. ("Glittering Girl.")

2) The Who even have good solo albums--well, two of them (_Scoop_ and _Another Scoop_, and when is somebody going to get wise and cover "Politician"?), plus I don't mind a couple of Daltrey solo songs, and actually the English Beat cover Townshend did on _Deep End Live_ is pretty ace.

3) I will take "pretentious and uneven" over "you'll take it and like it" any day.

Douglas, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

There's also the question of lyrics (is it too "rockist" to bring up lyrics?). If we assume, as I think it's safe to do, that the organisms purporting to be Mick and Keef since 1981 are androids and that the real Jagger and Richards are being held captive on the moon, then the Rolling Stones run lyrical rings around the Who, whose lyrics start sucking really hard as soon as 1969 turns into 1970. Is there any Who lyric than can stand up next to "Rocks Off," with its nicely sketched paranoia and really persuasive speech-rhythms?

John Darnielle, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

One of the first LPs I evah bought = Entwhistle solo alb "Mad Dog"

QED of everything I said x a million + infinity

mark s, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

The Stones. I just listened to them (Rolling Stones, Now!) last night. I must have 12 albums buy them , all of them great (some more than others, obviously). They had better singles. Charlie Watts' intro to "Get Off my Cloud" is more massive (and worlds better) than anything Keith Moon ever did (listen on vinyl-- and mono if possible-- digital remastering sucked the life out of this). I can't make it through a single Who song. Seriously, I cannot make it through a single Who song.

Vic Funk, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

Not even "Tommy's Holiday Camp"?

dave q, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

Blimey Fernando is even more severe than me.

mark s, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

I remember hearing about some commercial (for Macintosh maybe?) where Pete Townsend talks about seeing Mick Jagger strutting on stage live, generally acting like Mick Jagger, and then saying it was the first time he realized he wanted to fuck a man. Did they ever show that on TV? I'm not imagining this, am I?

Which shows that, while I think the Stones win out because of the aforementioned spree of classic albums, Pete Townsend is pretty clearly the coolest man involved with either band. Followed by Keef when he does those weird interviews where laughs maniacally-to-the- point-of-wheezing at his own jokes.

dave k, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

As for Rock and roll circus, Jethro tull blows them both out of the water. Okay, maybe not...

dave k, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

What if I like the Kinks more?

Ned Raggett, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

B-But Dave Q - 'The Tull' were miming (as were The Stones on 'Salt of The Earth', but heyho...)

Andrew L, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

Blimey - all four wheels come off the Sinkermobile at once! The Who by a country mile. The early stuff 64-66 is streets ahead of The Stones due to stunning Townsend originals vs a handful of good singles (The Last Time, Cloud, Satisfaction if you insist) and loads off second-hand blooze knock-offs. Nothing the Stones did in this period (or ever) beats Substitute, My Generation, I Can't Explain, The Kids Are Alright, I'm A Boy, Anyhow, Anyway, Anywhere for sheer get off your arse and leap around the room-ability. Which is the point, after all.

Whilst I agree that Townshend's pomposity often got out of hand post 66, I'd rather have him shoot for a flawed idea like 'Who Sell Out'(which is only around 75% brilliant) than flounder around copping a bit of Dylan here, a bit of Beatles there ('ere Keef let's do somefing a bit Psychedelic).

Live? Live at Leeds vs Got Live if You Want It. No contest.

The only period where the Stones even compete is say 69-72, with the alright-ish Sticky Fingers and Let It Bleed and the very, very good Exile. (The *country* numbers from this period like the horrific Country Honk are embarrassingly bad, it's worth remembering)I'm not a huge fan of Who's Next, as I've said here before.

Post 1972 it was pretty much all over for both groups.

This promises to be a good thread - I hope I can get online and follow it from the USA next week!

Dr. C, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

This is tough, actually.

David Q's thoughts were great; Dr C was very convincing.

I don't know, though - you're still underrating the power of the Stones. I'm thinking 'The Last Time','JJ Flash', 'SF Man', just to state the obvious. Let alone 'Fatcory Girl'.

But maybe the Who are strong enough, after all, to stand up even to that barrage. I feel like giving it to them just cos compared to the Stones they're the underdogs.

the pinefox, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

'Fat Cory Girl' = little-known Jagger/Richard classic in their standard chauvinist vein...

the pinefox, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

No contest.

Beggars Banquet-Exile on Main Street=greatest sequence of rock albums ever.

Whereas the Who didn't make one (studio) album that doesn't have something unlistenable on it.

Get Your Ya Yas Out > Live at Leeds

Gimme Shelter/Cocksucker Blues vs uh... Tommy: Two classic rock movies vs. one ridiculous mess that can be blamed for rock "operas" in general

Pete Townsend responsible for far more pretentious lyrics than Jagger/Richards (not to mention a book of poetry too)

The Who more shameless about pretending to break up then returning for one "last" tour

At least Keef doesn't need a plexiglass wall when he plays live

Roger Daltrey has always been a terrible singer

I mean, the Who did some good tunes and all, but they're mid-table in the grand scheme of rock mythology...

Ben Williams, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

I remember hearing about some commercial (for Macintosh maybe?) where Pete Townsend talks about seeing Mick Jagger strutting on stage live, generally acting like Mick Jagger, and then saying it was the first time he realized he wanted to fuck a man. Did they ever show that on TV? I'm not imagining this, am I?

This was for VH1, I believe. As for it ever airing, I dunno. VH1 doesn't air in Canada. But I remember Saturday Night Live doing parodies of those commercials.

Vic Funk, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

This is a great thread , like Record Mirror in 69' I imagine. I agree that it's no contest but it's the Who by the length of a small Caribbean island.

But then I think that the New Vaudeville Band are better than The Rolling Stones so what do I know.

Billy Dods, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

So yeah, The Who for me, though I like the Stones a lot. It doesn't make any sense for me to argue, b/c The Who were so important to me when I was a teenager, and even now I can't get any perspective on their work, as I lived inside of it for two long (one of my favorite albums of theirs is Who By Numbers!). The Stones always seemed like these cool detached rock dudes that had it all figured out, while Townshend was the ugly, vulnerable arty guy trying to work out his problems through music, sometimes embarrassing himself horribly in the process, but at least trying. (I'm not saying this should be every musician's goal, I'm just saying I connected with the way Townshend did it.) I might not have as much patience for it if I heard it for the first time now, but being a teenager and hearing stuff like "I'm One" and "Naked Eye" made me feel less alone. The Stones were to be admired, but Townshend helped me to understand myself better.

Tying into the Classic Rock thread, I've always considered myself a HUGE fan of both groups, but I know little of their non-singles output before 1967. Being raised on 70s rock LPs, that's the period of both I know best.

Mark, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

Well I do agree that the early output of the Who is awesome and tops the Stones early output. I heard Disguises from the Magic Bus Live record a few days ago and it's still killer.

Maybe we should go to the second-tier tracks to debate? I mean, on the high-tide albums, even Stones throwaways like Jigsaw Puzzle and Monkeyman steamroll the Who's stuff.

Dave K, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

'Jigsaw Puzzle' ain't so great. 'No Expectations', there's a song.

the pinefox, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

Painfully, I must side with the Stones camp, at least when it comes to records.

While "The Who Sing My Generation" and "The Who Sell Out" are masterful, pretty much everything else in the whouvre suffers by comparison. "A Quick One / Happy Jack" is at best inconsistent, what with the Keith Moon and (ugh) Roger Daltrey compositions; "Tommy" is one disc too long and a silly concept too heavy; "Who's Next" suffers from self-importance and a few real stinkers (someone mentioned "Getting in Tune," I believe); "Quadrophenia" suffers from the weaknesses of "Tommy" and "Who's Next" combined, with the additional horror of orchestral accompaniment . . . need I even mention "Who By Numbers" or "Who Are You"? And they're not even the same band after Keith Moon's death; not necessarily worse, just qualitatively different.

The Stones, on the other hand, had a run of albums that are absolutely astonishing, beginning with "Aftermath" and ending with "Exile on Main Street," there's not a clinker in the bunch, and I don't care what anybody says about "Satanic Majesties," it's fantastic.

I was a teenage Who nut, and actually have the holy grail - a personally autographed birthday glossy from the Beak. However, as much as I believe PT to be a much sweller and smarter guy than either Keef or Mick (and there's no doubt I'd rather hang out with Townshend), I think the Glimmmer Twins win out due to the consistency.

Anyway, I agree with whoever said that the Kinks cut them both.

-Jay

(nice one, Robin)

Jay, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

The Who by a country mile.

I have found very few tracks by the Stones that I think are even tolerable, let alone like.* And the Who are among my favorite bands evah, so there's really not even a contest here.

*Ironically the bands that shamelessly try to rip off the Stones in one form or another, like the New York Dolls or Royal Trux, I end up liking. Go figure.

Nicole, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

Hi Jay,

Am I right in thinking that I remember you from alt.fan.momus?

Robin Carmody, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

Indeed you do, Robin. I poke my head in here now and again. I'm glad you noticed.

Jay, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

The Stones write great songs, the Who writes annoying songs. Squeezebox, Pinball Wizard, Magic Bus... am I thinking of the right band because these songs are so damn dorky it's unbelievable. Or how about Who Are You? When they use that little dinky keyboard video game sound, it doesn't add a whole lot except cheez whiz. Get a real keyboard sound. The only decent song I can think of is My Generation, which I enjoy more when it's covered by bands who don't s-s-stutter the lyrics. That stuttering almost ruins the song for me. In short, I've always thought the Who were about as boring as Queen, a band I really despise.

Nude Spock, Saturday, 5 January 2002 01:00 (twenty-three years ago) link

I've avoided posting to this because after a certain point the merits of both bands can be seen equally, but I really avoided it because of the whole teenage affiliation thing -- and it's pretty obvious where my favour lies to begin with. I will say, however, that I always throught My Generation was a better single than Satisfaction because My Gen is filled with blind rage, whereas Satisfaction is just Mick singing about how rich and bored he is. And rich boredom isn't something as universal as fighting The Man. It's something about the violence of the song and in The Who's history that makes them seem so much bigger and more alive. Altamont was not so much about the Stones as it was about the death of the whole hippie movement, something that The Who, for better or worse, never seemed comfortable with -- even Tommy ends with a broken utopia.

JM, Sunday, 6 January 2002 01:00 (twenty-three years ago) link

c'mon, there really isn't any contest between these two -- the Stones get it, hands-down and in every possible way. and yes, that includes me voting for Charlie Watts over Keith Moon (have to concede Entwistle over Wyman, tho')

evidence: would still go to see the Stones live (such as they are), whereas you couldn't force me at gunpoint to see the Who live at this point.

Tadeusz Suchodolski, Sunday, 6 January 2002 01:00 (twenty-three years ago) link

...whereas Satisfaction is just Mick singing about how rich and bored he is

huh? i always thought this was about being a snotty, apathetic, disenfranchised youth.

am i the only person on the planet who finds _exile on main street_ to be an over-rated piece of crap?

your null fame, Sunday, 6 January 2002 01:00 (twenty-three years ago) link

Judging the who by albums is like judging the stones by singles. The Who are a pop band, indeed the last modernists, in evolution for themselves, freewheeling and above time, a sort of purity which the stones never even tried for. Sympathy For The Devi, Paint It Black, and a few others are great music, but they're not power chord anthems. I don't want to be told that the kids are doomed, I want to be told that we're all right.

Sterling Clover, Sunday, 6 January 2002 01:00 (twenty-three years ago) link

last modernists = the merton parkas aurely

mark s, Sunday, 6 January 2002 01:00 (twenty-three years ago) link

What if 'alright' = 'doomed'? IRL, I mean

dave q, Monday, 7 January 2002 01:00 (twenty-three years ago) link

If we're going to talk about Stones, why must it be "Satisfaction"? That's an odd choice for comparison, given the wide variety of topics and sonics from the Stones. Wasn't Street Fightin' Man an original? That's pretty fiesty. I dunno, how about Gimme Shelter? Salt of the Earth? Sympathy For The Devil? Paint It Black; Under My Thumb; 19th Nervous Breakdown; Have You Seen Your Mother, Baby, Standin' In The Shadow?, etc.

Nude Spock, Monday, 7 January 2002 01:00 (twenty-three years ago) link

Anyway, what IS your stance on this, Robin? I forget.

Ben Williams said " The Who didn't make one studio album which doesn't have something unlistenable on it".

Exactly. All the the best + most interesting albums bowl you a googly when you're expecting a leg-break. Who wants boring *perfection*?

Dr. C, Tuesday, 8 January 2002 01:00 (twenty-three years ago) link

Dr C - exactly! If 'value-for-money' is your thing, you're best off with your compilations along with the rest of the 12-CD crowd.

dave q, Tuesday, 8 January 2002 01:00 (twenty-three years ago) link

one month passes...
What is the sound of critics masturbating?

Joseph Hale, Tuesday, 26 February 2002 01:00 (twenty-two years ago) link

That'd be the Strokes (note double entendre there...gettit? gettit? Huh huh.)

Sean Carruthers, Tuesday, 26 February 2002 01:00 (twenty-two years ago) link

and the inevitable White Stripes that too many Strokes will result in.... (fnarrrrr)

electric sound of jim, Wednesday, 27 February 2002 01:00 (twenty-two years ago) link

one month passes...
The best hard blues rock drunken stoned jam has to be Midnight Rambler, the live version. I'm 18 years old, my father "introduced" me to the Stones. The Midnight Rambler riff is the best one by Keef.

Eddie Jabbar, Tuesday, 2 April 2002 00:00 (twenty-two years ago) link

Pre-1966, the Who are the best British rock act. Post-1966, the Who are just an average band who have a single or two, a mediocre second album, a good 3rd album (which sounds like little else they did) and a whole lot of crappy records to answer for.

The Stones are just consistent. No rock operas, no ridiculous soloing, just good songs and more good songs and a bunch of good, but unspectacular albums.

I'd rather listen to the best Who stuff, but would literally do anything to avoid listening to everything else.

Ned's right, the Kinks kick both of their asses.

Alex in SF, Tuesday, 2 April 2002 00:00 (twenty-two years ago) link

The Who were one of the great rock bands. They made perhaps the best live rock album. They made a string of fantastic singles. They had the greatest drummer in rock history.

On the other hand, the Stones were the greatest rock 'n' roll band the world has ever seen.

Martin Skidmore, Tuesday, 2 April 2002 00:00 (twenty-two years ago) link

And the Kinks are a minor cult band. Just for the record.

Ben Williams, Tuesday, 2 April 2002 00:00 (twenty-two years ago) link

seven months pass...
Common, Tommy is so fucking bored, but anyway The Who first album is a lot better than let it bleed

Bernardo, Tuesday, 12 November 2002 04:27 (twenty-two years ago) link

From what little I've gathered, save Sell Out, the Who got worse with each album. The Stones can still put out a catchy single when they feel like, and have a long and varied career with few albums that are totally dismissable. This is the easiest call I've ever had to deal with. The Stones, natch! You have to be one crabby macho dude to prefer Daltrey to Jagger.

Anthony Miccio, Tuesday, 12 November 2002 04:35 (twenty-two years ago) link

I am the definition of crabby macho dude.

Ally (mlescaut), Tuesday, 12 November 2002 04:43 (twenty-two years ago) link

Got to be the Stones. Sticky Fingers, Let it Bleed, Beggars Banquet.

Who's Next is great, but it doesn't come close.

James Ball (James Ball), Tuesday, 12 November 2002 10:59 (twenty-two years ago) link

No contest, it's the Stones, on every level, on every plain (except rock-opera writing factor, where Townshend scores a perfect 10). Live At Leeds is passable but my God, a cursory glance at the Stones catalogue should be enough to make the non-believer blush. They are rock and roll, say the name bitch; they are the Rolling Stones. The Rolling Stones. "Hi, I'm in the Rolling Stones" = you are rock. In their prime and their pomp, the Stones was untouchable.

Roger Fascist (Roger Fascist), Tuesday, 12 November 2002 11:24 (twenty-two years ago) link

Gimme Mick!
Gimme Mick!
Biggest hair, bulging eyes, lips so thick.

Are you woman, are you man?
I'm your biggest, funked up fan!

So rock me
And roll me
'Til I'm sick!

Candy Slice (Arthur), Tuesday, 12 November 2002 16:26 (twenty-two years ago) link

When considering individual songs it's hard to beat the dynamic intensity of the Who. Album-wise, it's the Rolling Stones all day long. But since i would take a Who album on my "desert island" before a Stones album.....

Who.


christoff (christoff), Tuesday, 12 November 2002 18:27 (twenty-two years ago) link

dynamic intensity=drum rolls?

Anthony Miccio, Tuesday, 12 November 2002 18:32 (twenty-two years ago) link

dynamic intensity = Charles Atlas

christoff (christoff), Tuesday, 12 November 2002 18:43 (twenty-two years ago) link

deconstructing key: the who were boys who didn't want to be adults of any stripe, the stones were men who secretly wanted to be girls
(this also translates perfectly into the clash/pistols ts)

marek, Tuesday, 12 November 2002 21:30 (twenty-two years ago) link

I just realized that there are probably less than a dozen Who songs that I really love. I wouldn't want any of their albums with me on a desert island (though I haven't heard Sell Out yet). On the other hand, the first five Who singles virtually define rock'n'roll for me, so there's no way I could consider myself anything less than a fan. Funny, that.

Justyn Dillingham (Justyn Dillingham), Friday, 15 November 2002 02:17 (twenty-two years ago) link

The Who embody all that is Rock N Roll. Pure energy.

David Allen, Friday, 15 November 2002 04:36 (twenty-two years ago) link

Keith Richards calls Pete Townsend 'Trousers'! (Quote from the new Keef ish of Uncut Mag: "It's a shame about John [Entwistle]. ...I thought, 'oh God, what's Trousers and Roger Daltrey gonna do?'")

Andrew L (Andrew L), Friday, 15 November 2002 10:16 (twenty-two years ago) link

By sheer volume of output it has to be the stones...however just because they have been around longer doesn't mean its all good.. they
wrote no good albums beyond the seventies...the who also wrote shit however they had the good grace to fold in '82 and just have re-unions anyway if you ask me Steve Marriot of the Small Faces had a better vocal range then either Daltrey or jagger

Benza, Saturday, 16 November 2002 09:11 (twenty-two years ago) link

seven months pass...
Gimme Shelter/Cocksucker Blues vs uh... Tommy: Two classic rock movies vs. one ridiculous mess that can be blamed for rock "operas" in general

everyone always says this, but how many actual "rock operas" are there, aside from the who's?

Justyn Dillingham (Justyn Dillingham), Friday, 27 June 2003 10:12 (twenty-one years ago) link

also Quadrophenia and The Kids Are Alright are both uberfab

Justyn Dillingham (Justyn Dillingham), Friday, 27 June 2003 10:14 (twenty-one years ago) link

Lisztomania! > Performance

Jody Beth Rosen (Jody Beth Rosen), Friday, 27 June 2003 10:22 (twenty-one years ago) link

the hierarchy:

stones > kinks > beatles > who

Tad (llamasfur), Saturday, 28 June 2003 04:30 (twenty-one years ago) link

two years pass...
What a battle of the titans this was. I always found it difficult to decide!

I am listening to THE WHO now! It is an 'ALT' version of 'Won't Get Fooled Again'.

I think they must be THE GREATEST BRITISH ROCK BAND, if we can agree to stress the ROCK and to call the Stones an R'n'B band for a minute to get them out of the picture.

the pinefox, Monday, 15 August 2005 11:32 (nineteen years ago) link

nine years pass...

I found this an impossible battle of the titans (see above) and it has occasionally recurred in my thoughts in the last 13 years.

But THE WHO are the big pop act for me at the moment and today I will answer: THE WHO.

the pinefox, Friday, 24 April 2015 08:33 (nine years ago) link


You must be logged in to post. Please either login here, or if you are not registered, you may register here.